Hanshi Jerry
Piddington Performing Kata
|

9th Dan
Black Belt |
Katas are the
mainstay of the style or system under which you study. From
the beginning of time, masters have formulated systems of
combat, and developed ways of practicing these systems which evolved
into prearranged forms now know as Katas. These systems , or katas,
were handed down from family to family in secret for many years.
Without katas, it would be very difficult to learn technical
movements correctly and to under-stand what they are and what they
mean. 90% of all movements are simple to interpret. The other
10 percent are hidden or secret movements The American Open
Style Karate includes three basic patterns or pathways of kata
varying in degree of difficulty as rank progresses. All kata
patterns terminate at their original starting positions.
- Beginner - I or H Patterns
- Intermediate - Pine Tree Patterns
- Advanced - Straight Line or Star Patterns
KATA must be practiced in
three steps: fusing the mind, body, and spirit, in order to bring
each kata to life with its own personality and characteristics.
- Mind - to perform the kata and achieve
perfect physical coordination(mastery of the form). This
should lead to a "mental and physical awareness and understanding"
in addition to a physical capability.
- Body - to physically interpret the physical applications
in a rapid succession.
- Spirit - to mentally interpret each
movement (bunkai) with an opponent verbally and perform without
thought
or no mind (Mushin).
Ten Empty Hand Kata
are required for Black Belt Level in the Traditional Art Form of the
American Open Style Karate under the American Shorei/ Shorin
Karatedo
|
BELT |
KATA |
CHARACTERISTICS |
|
1 |
Yellow
|
Left Pivot Form
AKANA-1992 |
Forward Stances
/ Stepping / Pivoting / Gives Students absolute
directional impulse |
|
2 |
Yellow With
Stripe |
Right Pivot
Form
AKANA-1992 |
Reinforcement
of Left Pivot Form characteristics |
|
3 |
Blue
|
H-Pattern I
AKANA-1992 |
Directing the
Gaze / Turning / Blocking / A gift of Peripheral vision |
|
4 |
Blue With
Stripe |
H-Pattern II
AKANA-1992 |
Power
(Yin/Yang) / Soft Blocking & Grabbing |
|
5 |
Purple
|
Sister American Open
Wunsu AOS-1973 |
Tension &
Relaxation (Kime) / Cat Stances |
|
6 |
Purple With
Stripe |
H-Pattern III
AKANA-1992 |
Tension &
Relaxation (Kime) / Cat Stances |
|
7 |
Green
|
Lion Form
AKANA-1992 |
The center of gravity
is always a good lesson. In this form on learns center od
gravity without question |
|
8 |
Red
|
Brother American Open
Anaku AOS-1973 |
Quick / Sharp /
Pivoting / Shifting / Soft and hard / Horse stance |
|
9 |
Brown
|
Swift as the
Deer
AKANA-1992 |
Balance in
directional change is essential for combative energy. More
specific the counter attack. |
|
10 |
Brown With
Stripe |
San-chin
"The Root of all Okinawan
Karatedo" |
The ultimate in
standing zen practice. Breath Kata(ref. The pinnacle of karate
for more info) |
|
11 |
Black 1st |
Side Pattern-I
American Open Naihanchi-sho
AOS-1973 |
Fighting in a
confined space defending right, left, & front, but never from
the back / Blocking and counter-attack. |
|
12 |
Black |
Bassai
AOS-1985 |
Timing impulse
/ Reflex action / Mind to Body telegramming.
|
|
13 |
Black |
Field Form
AOS-1973 |
Balance /
Directional changes /Counter attacking |
|
14 |
Black |
Side Pattern II
American Open Naihanchi-ni AOS-1973 |
See
Naihanchi-sho |
|
15 |
Black |
Empi Sho |
Kime power. The
understanding of maximum explosion at point of impact. Striking
perfection exercise. |
|
16 |
Black |
Go Pei Sho
|
Wing like
strikes and clawing/ripping attacks / simultaneous blocking &
striking. |
|
17 |
Black |
Dan Enn Sho |
Eagle Neck
Blocking / Dropping / One Leg Pivoting / Broken Rhythm / Soft &
Fluid Transitions |
|
18 |
Black |
Sun & Moon
AOS-1973
home |
The ultimate in
AOS kata. It employs all areas of the fighting art.
|